{"id":65,"date":"2024-10-21T21:38:36","date_gmt":"2024-10-21T21:38:36","guid":{"rendered":"https:\/\/operaschrattenbach.cz\/2024\/?page_id=65"},"modified":"2024-10-21T21:38:36","modified_gmt":"2024-10-21T21:38:36","slug":"komorni-tvorba-jiriho-sychy-pro-smyccove-nastroje","status":"publish","type":"page","link":"https:\/\/operaschrattenbach.cz\/2024\/komorni-tvorba-jiriho-sychy-pro-smyccove-nastroje\/","title":{"rendered":"Komorn\u00ed tvorba Ji\u0159\u00edho Sychy pro smy\u010dcov\u00e9 n\u00e1stroje"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>P\u00e1tek 15. 11.<\/strong><strong> \/ 19:0<\/strong>0<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u00da\u010dinkuje Smy\u010dcov\u00e9 kvarteto Jiho\u010desk\u00e9 komorn\u00ed filharmonie, Ilona R\u016f\u010dkov\u00e1 a Ji\u0159\u00ed Sycha<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Program:<\/strong><\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Smy\u010dcov\u00fd kvartet \u010d. 2 \u201evala\u0161sk\u00fd\u201c<\/li>\n\n\n\n<li>Suita gregoriana pro housle a violoncello<\/li>\n\n\n\n<li>Usp\u00e1v\u00e1n\u00ed lidu\u0161ky pro housle a klav\u00edr<\/li>\n\n\n\n<li>Spla\u0161en\u00fd beran pro housle a klav\u00edr<\/li>\n\n\n\n<li>Sm\u00edr\u010d\u00ed milosti pro dvoje housle<\/li>\n\n\n\n<li>Smy\u010dcov\u00fd kvartet \u010d. 3 \u201eFantazie o p\u0159\u00e1telstv\u00ed a nad\u011bji\u201c<\/li>\n<\/ol>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Interpreti<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Smy\u010dcov\u00e9 kvarteto Jiho\u010desk\u00e9 komorn\u00ed filharmonie<br>Martin T\u00fdml \u2013 housle<br>Michaela \u0160ikutov\u00e1 Vyoralov\u00e1 \u2013 housle<br>Eva Horv\u00e1th \u2013 viola<br>Lenka T\u00fdmlov\u00e1 \u2013 violoncello<br>Ji\u0159\u00ed Sycha \u2013 housle<br>Ilona R\u016f\u010dkov\u00e1 \u2013 klav\u00edr<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ji\u0159\u00ed Sycha<\/strong> je absolventem krom\u011b\u0159\u00ed\u017esk\u00e9 C\u00edrkevn\u00ed konzervato\u0159e. Zde studoval hlavn\u00ed obor housle, v\u011bnoval se v\u0161ak i studiu skladby a dirigov\u00e1n\u00ed. V roce 2003 se stal v\u00edt\u011bzem stipendijn\u00ed sout\u011b\u017ee Yamaha. Pot\u00e9 byl p\u0159ijat ke studiu na Staatliche Hochschule f\u00fcr Musik Trossingen (N\u011bmecko), kde s vynikaj\u00edc\u00edmi v\u00fdsledky vystudoval hru na barokn\u00ed housle u profesora Antona Stecka. P\u016fsobil jako komorn\u00ed i s\u00f3lov\u00fd hr\u00e1\u010d \u010di koncertn\u00ed mistr se soubory Instrumenta musica Dresden, Musica Florea, Collegium marianum, Musica figuralis, Hipocondria ensemble, Concerto Avensis, Wranitzky Kapelle. B\u011bhem sv\u00e9 studijn\u00ed a koncertn\u00ed praxe v&nbsp;oblasti star\u00e9 hudby spolupracoval s&nbsp;\u0159adou renomovan\u00fdch osobnost\u00ed jako je P.&nbsp;McCreesh, A.&nbsp;Spering, R.&nbsp;Gini, T.&nbsp;Albert, R.&nbsp;Allessandrini, Ch.&nbsp;Toet, M.&nbsp;Huggett, P.&nbsp;Neumann, R.&nbsp;Lislevand, L.&nbsp;Russel, G.-U.&nbsp;Klein, L.&nbsp;Br\u00fcnmayr-Tutz, J.&nbsp;Semer\u00e1dov\u00e1, R.&nbsp;Hugo, M.&nbsp;\u0160tryncl, V.&nbsp;Luks, M.&nbsp;Comendant. Krom\u011b koncertn\u00ed \u010dinnosti se v&nbsp;sou\u010dasn\u00e9 dob\u011b v\u011bnuje vyu\u010dov\u00e1n\u00ed houslov\u00e9 hry a kompozici, je zn\u00e1m jako interpret moravsk\u00e9ho folkl\u00f3ru, na s\u00f3lov\u00fdch recit\u00e1lech \u010dasto vystupuje s&nbsp;cembalistou Filipem Dvo\u0159\u00e1kem. V T\u00e1bo\u0159e, kde \u017eije, diriguje od r.&nbsp;2009 Symfonick\u00fd orchestr Bolech a je dramaturgem ka\u017edoro\u010dn\u00ed \u0159ady koncert\u016f star\u00e9 hudby s&nbsp;n\u00e1zvem T\u00e1borsk\u00fd triptych.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">J.&nbsp;Sycha studoval skladbu na Konzervato\u0159i P.&nbsp;J.&nbsp;Vejvanovsk\u00e9ho v&nbsp;Krom\u011b\u0159\u00ed\u017ei u doc.&nbsp;Ingrid Siln\u00e9. V&nbsp;jeho tradicionalistick\u00e9 tvorb\u011b je z\u0159ejm\u00e1 siln\u00e1 vazba k&nbsp;moravsk\u00e9 lidov\u00e9 hudb\u011b, baroku a renesanci. Do pop\u0159ed\u00ed stav\u00ed melodiku (v&nbsp;duchu dvo\u0159\u00e1kovsk\u00e9 tradice) a vyh\u00fdb\u00e1 se zbyte\u010dn\u00fdm experiment\u016fm dle hesla \u201ev jednoduchosti je kr\u00e1sa\u201c. V&nbsp;n\u011bkter\u00fdch skladb\u00e1ch t\u00edhne k&nbsp;minimalismu. Je autorem asi 40&nbsp;skladeb komorn\u00edch a orchestr\u00e1ln\u00edch, n\u011bkolika sborov\u00fdch a zhruba 50&nbsp;drobn\u00fdch skladeb pro housle a klav\u00edr. Ty si v&nbsp;posledn\u00ed dob\u011b z\u00edsk\u00e1vaj\u00ed st\u00e1le v\u011bt\u0161\u00ed oblibu mezi u\u010diteli a \u017e\u00e1ky v&nbsp;na\u0161\u00ed zemi. \u0158ada jeho skladeb m\u00e1 duchovn\u00ed \u010di n\u00e1bo\u017eensk\u00fd podtext (nap\u0159. melodram Abgar na slova J. Zeyera \u010di Duo \u201eOrba k\u0159\u00ed\u017eem\u201c inspirovan\u00e9 plastikou F.&nbsp;B\u00edlka). Pro divadlo napsal sc\u00e9nickou hudbu Popelka nazaretsk\u00e1 (dle p\u0159edlohy V.&nbsp;Ren\u010de) a Betl\u00e9msk\u00fd p\u0159\u00edb\u011bh (na motivy jiho\u010desk\u00fdch lidov\u00fdch p\u00edsn\u00ed).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">SLOVO K PROGRAMU<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">V&nbsp;dne\u0161n\u00edm programu zazn\u00ed tvorba z&nbsp;obdob\u00ed 2001 \u2013 2018. \u00davodn\u00ed skladba \u2013 <strong>Smy\u010dcov\u00fd kvartet \u010d.&nbsp;2 \u201evala\u0161sk\u00fd\u201c<\/strong> vznikl v&nbsp;roce 2014. Je oslavou rodn\u00e9ho kraje autora, jeho lidov\u00e9 melodiky a vz\u00e1cn\u00e9ho druhu tance v&nbsp;\u00be rytmu, kter\u00fd zpracoval nap\u0159. i Leo\u0161&nbsp;Jan\u00e1\u010dek, \u201evala\u0161sk\u00e9ho starod\u00e1vn\u00e9ho\u201c. <strong>Suita gregoriana<\/strong> z&nbsp;roku 2001 pat\u0159\u00ed mezi nejstar\u0161\u00ed autorovy skladby a spad\u00e1 je\u0161t\u011b do dob studi\u00ed na konzervato\u0159i. Je v\u011bnov\u00e1na pam\u00e1tce italsk\u00e9ho skladatele Ottorina Respighiho, kter\u00fd se v&nbsp;\u0159ad\u011b sv\u00fdch skladeb taky nech\u00e1val inspirovat barokn\u00ed hudbou a sna\u017eil se j\u00ed d\u00e1t nov\u00fd impresionistick\u00fd kab\u00e1t a sv\u011b\u017e\u00ed barevnost. Z&nbsp;tvorby pro housle dnes usly\u0161\u00edme 2 drobn\u00e9 skladby: <strong>Usp\u00e1v\u00e1n\u00ed \u201elidu\u0161ky\u201c<\/strong> je jakoby ka\u017edodenn\u00edm zasn\u011bn\u00edm na z\u00e1v\u011br u\u010ditelsk\u00e9ho dne v&nbsp;hudebn\u00ed \u0161kole \u2013 u\u010ditel s&nbsp;pocitem dob\u0159e vykonan\u00e9 pr\u00e1ce idylicky \u017eehn\u00e1 m\u00edstu, kde se setkal toho dne s&nbsp;d\u011btmi a kde spolu za\u017eili to dobr\u00e9. V&nbsp;n\u00e1ro\u010dn\u011bj\u0161\u00ed skladb\u011b <strong>Spla\u0161en\u00fd beran<\/strong> jde o konkr\u00e9tn\u00ed vzpom\u00ednku z&nbsp;d\u011btstv\u00ed od\u011bnou do t\u00f3n\u016f \u2013 epizodu o odvaze sednout si na h\u0159bet berana a jet\u2026 \ud83d\ude42<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ve skladb\u011b <strong>Sm\u00edr\u010d\u00ed milosti<\/strong> z&nbsp;roku 2006 se autor vyrovn\u00e1v\u00e1 s&nbsp;t\u011b\u017ekost\u00ed, kterou mu do \u017eivota u\u017e od d\u011btstv\u00ed vnesla z\u00e1va\u017en\u00e1 psychick\u00e1 nemoc jeho matky. Jedn\u00e1 se o intimn\u00ed katarzn\u00ed hudbu, kter\u00e1 m\u00e1 symbolizovat p\u0159etavov\u00e1n\u00ed zla v&nbsp;dobro, sm\u00ed\u0159en\u00ed se s&nbsp;p\u0159\u00edtomnost\u00ed du\u0161evn\u00ed bolesti a pochopen\u00ed jej\u00edho v\u00fdznamu v&nbsp;\u017eivot\u011b. Ne n\u00e1hodou se jedn\u00e1 pr\u00e1v\u011b o duo \u2013 jedny housle zastupuj\u00ed autora, druh\u00e9 housle jeho matku.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Z\u00e1v\u011bre\u010dn\u00fd <strong>Smy\u010dcov\u00fd kvartet \u010d.&nbsp;3 s&nbsp;podtitulem \u201eFantazie o p\u0159\u00e1telstv\u00ed a nad\u011bji\u201c<\/strong> vznikl roku 2018 na podn\u011bt veden\u00ed m\u011bsta Horn\u00ed Ji\u0159et\u00edn, v&nbsp;jeho\u017e bl\u00edzkosti \u2013 na z\u00e1mku Jeze\u0159\u00ed autor n\u011bkolikr\u00e1t koncertoval se smy\u010dcov\u00fdm kvartetem Eisenberg. Zkomponov\u00e1n\u00ed kvarteta pro z\u00e1mek Jeze\u0159\u00ed a jeho premi\u00e9ra ve zdej\u0161\u00edm s\u00e1le byla pro Ji\u0159et\u00edn kr\u00e1snou p\u0159\u00edle\u017eitost\u00ed uv\u011bdomit si mimo\u0159\u00e1dn\u00fd v\u00fdznam tohoto m\u00edsta z&nbsp;hlediska provozov\u00e1n\u00ed komorn\u00ed hudby, i&nbsp;zavn\u00edmat novou symbolickou nad\u011bji pro tuto t\u011b\u017ece zkou\u0161enou oblast zem\u011b a z\u00e1mek, kter\u00fd m\u011bl b\u00fdt kv\u016fli t\u011b\u017eb\u011b hn\u011bd\u00e9ho uhl\u00ed smaz\u00e1n nav\u017edy z&nbsp;mapy. Na\u0161t\u011bst\u00ed se tak nestalo. Ve smy\u010dcov\u00e9m kvartetu, kter\u00fd nese jist\u00e9 prvky programn\u00ed hudby se v&nbsp;partitu\u0159e objevuj\u00ed kl\u00ed\u010de k&nbsp;inspiraci \u2013 ozna\u010den\u00ed jako nap\u0159\u00edklad: motiv nad\u011bje, vzpom\u00ednka na star\u00e9 dobr\u00e9 p\u0159\u00e1telstv\u00ed, \u0161leh zrady, motiv n\u00e1vratu ke vzne\u0161en\u00e9mu ide\u00e1lu, radost z&nbsp;\u010dist\u00e9ho p\u0159\u00e1telstv\u00ed, vzpom\u00ednka na B.&nbsp;Martin\u016f, humor mezi kamar\u00e1dy, chvilka u kostela, hrdli\u010dka z&nbsp;Nad\u011bjkova, ornamenty na chaloupce, sad pln\u00fd v\u010del a pt\u00e1k\u016f, sada\u0159 obch\u00e1zej\u00edc\u00ed stromy, pozorov\u00e1n\u00ed mraveni\u0161t\u011b, modlitba u&nbsp;kaple. Hlavn\u00ed je tu v\u0161ak v\u00edra v&nbsp;to dobr\u00e9 v&nbsp;\u010dlov\u011bku.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2013Ji\u0159\u00ed Sycha<\/p>\n","protected":false},"excerpt":{"rendered":"<p>P\u00e1tek 15. 11. \/ 19:00 \u00da\u010dinkuje Smy\u010dcov\u00e9 kvarteto Jiho\u010desk\u00e9 komorn\u00ed filharmonie, Ilona R\u016f\u010dkov\u00e1 a Ji\u0159\u00ed Sycha Program: Interpreti Smy\u010dcov\u00e9 kvarteto Jiho\u010desk\u00e9 komorn\u00ed filharmonieMartin T\u00fdml \u2013&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-65","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/operaschrattenbach.cz\/2024\/wp-json\/wp\/v2\/pages\/65","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/operaschrattenbach.cz\/2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/operaschrattenbach.cz\/2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/operaschrattenbach.cz\/2024\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/operaschrattenbach.cz\/2024\/wp-json\/wp\/v2\/comments?post=65"}],"version-history":[{"count":3,"href":"https:\/\/operaschrattenbach.cz\/2024\/wp-json\/wp\/v2\/pages\/65\/revisions"}],"predecessor-version":[{"id":68,"href":"https:\/\/operaschrattenbach.cz\/2024\/wp-json\/wp\/v2\/pages\/65\/revisions\/68"}],"wp:attachment":[{"href":"https:\/\/operaschrattenbach.cz\/2024\/wp-json\/wp\/v2\/media?parent=65"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}